Benoit TURQUETY

Item

Title
Benoit TURQUETY
Given name
Benoit
familyName
TURQUETY
Status
PR
Identifier
scanr:idref110444906
Is Part Of
ESTCA
personal mailbox
benoit.turquety@univ-paris8.fr
Début de recherche
01/09/2023
Nomenclature CNU
CNU 18
firstName
Benoît
Is Referenced By
idref:110444906
Subject
Histoire du cinéma
Rank
36
Histoire des techniques
Rank
21
Histoire du cinéma
Rank
15
Danièle Huillet
Rank
14
Danièle Huillet
Rank
14
Gilbert Simondon
Rank
13
Esthétique du cinéma
Rank
12
Technologie du cinéma
Rank
10
Film Technology
Rank
7
Perception
Rank
6
épistémologie
Rank
6
Cinéma allemand
Rank
5
Bolex
Rank
5
Cinéma amateur
Rank
5
list of contributors
Laurent Le Forestier
Valentine Robert
François Albera
Alain Boillat
Fabienne Bonino
Nicolas Brülhart
Yves Chevrefils Desbiolles
Frédéric Gimello-Mesplomb
Martin Goutte
Roxane Hamery
Kornelia Imesch
Mario Lüscher
Chiara Savettieri
Christel Taillibert
Gilles Mouëllic
Vincent Sorrel
Stéphane Tralongo
André Gaudreault
Valérie Vignaux
Maria Tortajada
Thomas Elsaesser
Franck Le Gac
Patrick Désile
Élie During
Charles Musser
Philippe Ortel
Laurent Guido
Gilles Delavaud
Charlotte Bouchez
Christophe Wall-Romana
Viva Paci
Alain Bergala
Simon Daniellou
David Faroult
André Habib
Marcos Uzal
Antoine de Baecque
Stephan Crasneanscki
Louis Zukofsky
Selim Krichane
member
University of Lausanne
Start
2022-01-01T00:00:00
End
2022-12-31T00:00:00
Esthétique, sciences et technologies du cinema et de l'audiovisuel
Start
2010-01-01T00:00:00
End
2024-12-31T00:00:00
Paris 8 University Université Paris 8 Vincennes – Saint-Denis
Start
2005-01-01T00:00:00
End
2024-12-31T00:00:00
publications
« L'art des yeux ouverts » : le cinéma, avènement d'une nouvelle culture dans les écrits de Béla Balázs
Is Referenced By
nnt2017uspca161
status
membrejury
rapporteur
Ici et ailleurs : les productions vidéographiques nigérianes, cultures et techniques en réseaux
Is Referenced By
doi10.4000/edl.2501
status
author
Portrait de l'artiste en fabricant de canons (le cas Kubelka)
Is Referenced By
halhal-04250378
status
author
Die Anthologie, der Künstler, die Pädagogik : Peter Kubelka und der Kanon des 'Essential Cinema
Is Referenced By
halhal-04250344
status
author
Formes de machines, formes de mouvement
Is Referenced By
halhal-04250383
status
author
Cinéma, couleur, mouvement : Kinémacolor et abstraction
Is Referenced By
halhal-04250438
status
author
Le film sur l’art
Is Referenced By
doi10.4000/books.pur.76659
status
author
Là: Places de la caméra (Godard international)
Is Referenced By
halhal-04230931
status
author
Introduction
Is Referenced By
halhal-04241391
status
author
Techniques et machines de cinéma: Objets, gestes, discours
Is Referenced By
doi10.15122/isbn.978-2-406-10932-7
status
author
Des avant-dernières machines: Cinéma, techniques, histoire
Is Referenced By
halhal-04230311
status
author
La machine Bolex. Les horizons amateurs du cinéma
Is Referenced By
halhal-04241201
status
author
Il faut ouvrir les machines. L'épistémologie des médias avec Gilbert Simondon
Is Referenced By
halhal-04241381
status
author
Histoire des machines/histoire des techniques: à partir de Bolex
Is Referenced By
halhal-04230943
status
author
Réel dehors/réel dedans: Fenêtres de Johan van der Keuken
Is Referenced By
halhal-04230936
status
author
Bolex: Cinema's Amateur Horizons
Is Referenced By
halhal-04241211
status
author
A War Film: Antigone by Danièle Huillet and Jean-Marie Straub
Is Referenced By
halhal-04241435
status
author
Vues d'Allemagne. Volker Koepp, Peter Nestler
Is Referenced By
halhal-04250445
status
author
Danièle Huillet, Jean-Marie Straub: "Objectivists" in Cinema
Is Referenced By
halhal-04230289
status
author
En l'absence des noms: problèmes d'histoire des techniques et des cinématographies mineures
Is Referenced By
halhal-04248651
status
author
Comprendre le cinéma (amateur): épistémologie et technologie
Is Referenced By
halhal-04248639
status
author
Un art incomplet. Présences-absences du cinéma au Congrès de 1937
Is Referenced By
halhal-04248796
status
author
Épaisseur du temps et chronographie de la terreur: Berlin 10/90 de Robert Kramer
Is Referenced By
halhal-04250329
status
author
Pour une archéologie des techniques cinématographiques: l'exemple du Kinemacolor
Is Referenced By
halhal-04250319
status
author
Propositions pour une histoire des techniques en cinéma
Is Referenced By
doi10.4000/1895.5342
status
author
Techniques et machines de cinéma : objets, gestes, discours
Is Referenced By
sudoc250770822
status
author
On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema
Is Referenced By
halhal-04241300
status
author
Technès : approches technologiques, questions esthétiques et histoire sans noms / Introduction
Is Referenced By
halhal-04248629
status
author
La question du style en histoire des techniques: le cinéma amateur et la beauté sans nom
Is Referenced By
halhal-04248616
status
author
L'amateur en cinéma. Un autre paradigme. Histoire, esthétique, marges et institutions
Is Referenced By
halhal-04230317
status
author
Un film de guerres: Antigone de Danièle Huillet et Jean-Marie Straub
Is Referenced By
halhal-04248790
status
author
One Way/Dead End/No Stopping Any Time: Mauricio Guillén’s Avenida Progreso
Is Referenced By
halhal-04250402
status
author
M=M=M
Is Referenced By
halhal-04250426
status
author
Jeunesses musicales: L’invention de Chronik der Anna Magdalena Bach
Is Referenced By
halhal-04250395
status
author
Pratiques, dispositifs et formes documentaires à la télévision française : une dramaturgie de la rencontre (1953-1979)
Is Referenced By
nnt2022ren20039
status
rapporteur
Obsolescence et réinvention du cinéma argentique à l’âge du numérique
Is Referenced By
nnt2019uspca017
status
membrejury
Inventing Cinema
Is Referenced By
doi10.2307/j.ctvqsf379
status
author
L'émergence du travail : culture visuelle et foyers d'observation
Is Referenced By
nnt2021pa030026
status
membrejury
Poétiques filmiques dans la poésie contemporaine (domaines français et états-unien)
Is Referenced By
nnt2021pa080089
status
presidentjury
Vibrance: lumière, couleur et mouvement au XIXe siècle
Is Referenced By
halhal-04230912
status
author
Du cinéma comme artisanat. La série Gurre Herria de Tatus Fombellida
Is Referenced By
halhal-04241366
status
author
Louis Ducos du Hauron
Is Referenced By
halhal-04230918
status
author
Understanding (Amateur) Cinema: Epistemology and Technology
Is Referenced By
halhal-04230927
status
author
Biette avec Straub (et Huillet)
Is Referenced By
halhal-04241230
status
author
Why Additive? Problems of Colour and Epistemological Networks in (Early) Film Technology
Is Referenced By
doi10.5117/9789048532988
status
author
A Film-maker's Film Histories: Adjacency Historiography and the Art of the Anthology
Is Referenced By
halhal-04291068
status
author
Medium, Format, Configuration: The Displacements of Film
Is Referenced By
doi10.14619/0047
status
author
Le "Direct" et le numérique: Techniques et politiques des médias décentralisés
Is Referenced By
halhal-04230310
status
author
Inventer le cinéma : épistémologie
Is Referenced By
sudoc180972510
status
author
Toward an Archaeology of the Cinema/Technology Relation: From Mechanization to “Digital Cinema”
Is Referenced By
doi10.25969/mediarep/13695
status
author
Inventer le cinéma. Épistémologie: problèmes, machines
Is Referenced By
halhal-04230305
status
author
Charles Cros et le problème « cinéma » : écrire l'histoire avec Bachelard et Simondon
Is Referenced By
doi10.4000/1895.4801
status
author
Das Problem »Kino«. Geschichte schreiben mit Bachelard und Simondon
Is Referenced By
doi10.25969/mediarep/1097
status
author
Huillet & Straub, "objectivistes" en cinéma
Is Referenced By
nnt2005pa082579
status
author
Couleur/mouvement : trois dispositifs pour une histoire épistémologique dans la longue durée
Is Referenced By
doi10.4000/1895.6761
status
author
Il doppiaggio è un assassinio": regarder/écouter/lire le cinéma de Danièle Huillet et Jean-Marie Straub
Is Referenced By
halhal-04248689
status
author
Tricks and Effects
Is Referenced By
halhal-04230323
status
author
Writing the History of the "Cinema" Problem: Media Archaeology with Historical Epistemology
Is Referenced By
halhal-04248677
status
author
Forms of Machines, Forms of Movement
Is Referenced By
halhal-04248710
status
author
Orality and Objectification: Danièle Huillet and Jean-Marie Straub, Filmmakers and Translators
Is Referenced By
doi10.1353/sub.2015.0022
status
author
Sur le motif: Danièle Huillet, Jean-Marie Straub, Peter Nestler
Is Referenced By
halhal-04249643
status
author
Le numérique, technologie et techniques: problèmes de la couleur
Is Referenced By
halhal-04248695
status
author
Instructions for Use:
Is Referenced By
doi10.2307/jj.13703101.9
status
author
Le "direct" et le numérique : Techniques et politiques des médias décentralisés
Is Referenced By
halhal-04018296
status
sad
Otages: des femmes dans l’histoire. À partir de Sembène Ousmane
Is Referenced By
doi10.48611/isbn.978-2-406-12735-2.p.0333
status
author
Photography and the Composite Image, from Recreations to the Digital; or, A portrait of Méliès as a Bergsonian Filmmaker
Is Referenced By
halhal-04230903
status
author
Espaces résonants. Le son comme art du lieu
Is Referenced By
halhal-04241344
status
author
Danièle Huillet et Jean-Marie Straub : "objectivistes" en cinéma
Is Referenced By
sudoc136742971
status
author
From Ear to Toe: Sound Machines and the Technical Body
Is Referenced By
halhal-04230843
status
author
Cine-dispositives : essays in epistemology across media
Is Referenced By
sudoc188284850
status
author
Friedrich Kittler, Médias optiques. Cours berlinois 1999 ; Thomas Elsaesser, Film History as Media Archaeology : Tracking Digital Cinema ; Francesco Casetti, The Lumière Galaxy : 7 Key Wor
Is Referenced By
doi10.4000/1895.5296
status
author
Politiques de la technicité: corps, monde et médias avec Gilbert Simondon
Is Referenced By
halhal-04230275
status
author
Godard - machines
Is Referenced By
sudoc251127591
status
author
Des je (prononcé yeux)
Is Referenced By
sudoc240426436
status
author
Des avant-dernières machines : cinéma, techniques, histoire
Is Referenced By
sudoc256120420
status
author
Jacques Malthête, Stéphanie Salmon (dir.), Recherches et innovations dans l’industrie du cinéma. Les cahiers des ingénieurs Pathé (1906-1927)
Is Referenced By
doi10.4000/1895.6188
status
author
Jean-Michel Durafour, L’Homme invisible de James Whale. Soties pour une terreur figurative
Is Referenced By
doi10.4000/1895.5143
status
author
Le naturel et le mécanique : le Kinémacolor à la conquête de Paris, ou Charles Urban vs Charles Pathé
Is Referenced By
doi10.4000/1895.4772
status
author
Catherine Russell, Archiveology : Walter Benjamin and Archival Film Practices
Is Referenced By
doi10.4000/1895.7421
status
author
Malte Hagener, Vinzenz Hediger, Alena Strohmaier (dir.), The State of Post-Cinema : Tracing the Moving Image in the Age of Digital Dissemination
Is Referenced By
doi10.4000/1895.6590
status
author
Paolo Bertetto, le Miroir et le simulacre. Le cinéma dans le monde devenu fable
Is Referenced By
doi10.4000/1895.5026
status
author
Lumière ! Le Cinématographe 1895-1905. Les films Lumière présentés par Bertrand Tavernier et Thierry Frémaux
Is Referenced By
doi10.4000/1895.5137
status
author
Ted Fendt (dir.), Jean-Marie Straub Danièle Huillet ; Danièle Huillet, Jean-Marie Straub, Writings, éd. et trad. Sally Shafto, préface de Miguel Abreu
Is Referenced By
doi10.4000/1895.5261
status
author
De Caligari à la théorie : deux livres sur Siegfried Kracauer et le cinéma
Is Referenced By
doi10.4000/1895.6861
status
author
Charles Musser, Politicking and Emergent Media : US Presidential Elections of the 1890s
Is Referenced By
doi10.4000/1895.6179
status
author
Travail du peintre, travail du cinéma : Cézanne, Danièle Huillet et Jean-Marie Straub
Is Referenced By
doi10.4000/books.pur.76758
status
author
Annamaria Motrescu-Mayes et Heather Norris Nicholson, British Women Amateur Filmmakers : National Memories and Global Identities
Is Referenced By
doi10.4000/1895.7406
status
author
Item sets
Enseignants Chercheurs de Paris 8

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